Artist-DABEIYUZHOU
Dabeiyuzhou (Lin Kunhao)
Eastern Cyberspace, Technology Creates Buddha
大悲宇宙
东方赛博 科技造佛
本名林琨皓，1990年生于中国福建，是当前中国备受瞩目的数字艺术家之一。他的作品以极尽精美、超然的虚拟世界著称，近期则以跨学科的知识与开源信息建立数据库，结合演算程序创造出不断流变的信息复合体。
大悲宇宙探索互联网时代下人类意识与前沿技术的交互关系，透过数据搜集、算法生成、艺术家介入等程序加工信息，建构一套个人体系的人机协同原理。他是一位技术乐观主义者，在当前对于信息数据既渴望又崇拜的时代，他相信科技是一种加持。在他的作品中，算法突破了自然现实的界限，将超越现实的可能性与未来召唤至当前时空。
自2010年接触次世代游戏3D美术后，2015年他以数字3D为媒介创作了《仿佛未来》系列作品，随后在3D媒介的基础上加入生成对抗网络（GAN）算法，于2019年开始《虚拟蝴蝶》的创作；其他重要作品还包括2017年创作的《乱码诗》，并开始为之后的视觉作品以乱码命名；以及2019年运用图像与算法文本创作了《文本基因计划》，建立起庞大的文本数据库与独特的编纂方法。
个人作品
2015-2018，《For Future彷佛未来》
2017，《Cyborg Poems乱码诗》
2019，《Text Gene Project文本基因计划》
2020，《Virtul Butterfly虚拟蝴蝶》
Dabeiyuzhou
Eastern Cyber Technology Creates Buddha
Lin Kunhao, whose real name is Lin Kunhao, was born in Fujian, China in 1990. He is one of the most high-profile digital artists in China. His works are famous for their extremely exquisite and transcendent virtual worlds. Recently, he has used interdisciplinary knowledge and open source information to build databases, combined with algorithmic programs to create ever-changing information complexes.
Dabeiyuzhou explores the interactive relationship between human consciousness and cutting-edge technology in the Internet era. Through data collection, algorithm generation, artist intervention and other procedures to process information, it constructs a personal system of human-machine collaboration principles. He is a technological optimist. In the current era of both desire and worship for information and data, he believes that technology is a blessing. In his works, algorithms push the boundaries of natural reality, summoning possibilities and futures beyond reality into the current time and space.
After being exposed to next-generation game 3D art in 2010, he created the “As if the Future” series of works using digital 3D as the medium in 2015. Then he added the Generative Adversarial Network (GAN) algorithm based on the 3D medium and started “Virtual Art” in 2019. The creation of “Butterfly”; other important works include “Garbled Poetry” created in 2017, and began to name subsequent visual works after garbled characters; and in 2019, he used images and algorithmic text to create “Text Gene Project”, establishing a huge Text database with unique compilation method.
Individual Works
- 2015-2018: “For Future: A Glimpse of Tomorrow”
- 2017: “Cyborg Poems: Chaotic Verse”
- 2019: “Text Gene Project: Exploring Linguistic DNA”
- 2020: “Virtual Butterfly: Ethereal Beauty”
